The unproven concept that Russian intelligence directly attack American election systems in 2016 keeps being repeated as fact in the media. The details are either shallow or classified. One person, Air Force Veteran and private contractor Reality Winner, remains held without bail still awaiting trial for leaking a single memo on the subject to The Intercept.
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Department of Homeland Security is building a database of journalists but who is the contractor and what is it for?
The Trump administration has instructed it's DHS personnel to build a database of journalists and “media influencers.” Presumably since the President equates “fake news” with “said bad stuff about the me” this database will be used to retaliate either through direct punishment or denial of access or both. The Free Speech and Freedom of the Press implications are obvious and are being discussed, but not with the details of implementation. Those details do not make the implications more palatable to anyone who lacks a totalitarian heart.
The whole internet has told David Benihoff and D.B. Weiss not to do it, but intoxicated with success from the hit series Game of Thrones they announced another partnership with HBO to create “Confederates,” a series based on the South winning the civil war. Rather than back off from the backlash against a bad idea, they did something I learned to never do on my Grandfather's knee, that is to double down on a bad hand.
The Foundations of Trump's wall go back over a decade to 2001. The 2001 fence was conceived to keep Islamic terrorists out of the United States because George W. Bush's infinite wisdom assured him that they must be coming from Catholic Mexico where they would surely blend in. It was an extension of the fence that Bill Clinton instituted near Sand Diego in 1994 to coincide with an expansion in free trade with Mexico and the Zapatista uprising against NAFTA. Congressional wrangling over Bush's border fence landed it partial funding in 2006 and the funded part is still incomplete.